Showing posts with label Passion. Show all posts
Showing posts with label Passion. Show all posts

Monday, July 28, 2008

Sporty Kids



The Euro Cup just got over and the lull is almost painful. Since I don’t believe in football clubs, my only real salvation is the World Cup and the UEFA championship or the occasional Olympics Football matches. I am not too partial with the Olympics, they seem to be cursed for the Brazilians and if the Brazilians aint winnin’, I aint watchin’. Every 2 years there seems to be a higher purpose in life, something beyond work, home and family. Not necessarily undermining the important things in life but taking precedent for the time being. That ‘higher purpose’ for me is ‘football’, I like calling it soccer though, people still think ‘American football’ actually deserves to be called ‘football’ at all! Soccer is the epitome of what I think people ought to be – forward, tough, pushy, relentless, passionate, focused, patriotic, charged, co-dependent and all those wonderful things only seen in a game of football. The exact moment to notice all these feelings is when a goal is scored. Players embrace each other like blood brothers, they cry without shame, they kiss the earth and imagine their motherlands, and it is all so raw and so pure.



Soccer and I started a romance as early as the age of 6, way back in ’82, when televisions were still black and white and stood on ornate wrought iron stands; I remember that some even had wooden shutters. It was summer outside and my dad had decided that I would actually remain awake to watch the matches with him, much to my mother’s disdain. I was already a hyper and mildly violent child; she didn’t need for me to see more hysteria. It was held in Spain that year, a Spanish fruit was the mascot and Netherlands didn’t qualify, those were the two memories that never left me. 25 years on, I am not half as hyper or even slightly violent, I guess that’s one place my mother was wrong, what I am is – persevering, disciplined, ambitious, passionate, patriotic and very proud! Most of that has come from soccer. These days my dearest friend’s son plays football, he is all of 10 but the wisdom that boy exudes has to come from an innate confidence that not all children have. Anant plays for ‘Shimla Youngs’, how I love that name! How wonderful it must be to certify your youth. I have seen this boy blossom in front of my eyes. There is heaviness in his voice that doesn’t come from testosterone, there is a spring in his gait that doesn’t come from nonchalance and most of all there is a ‘nose up in the air’ pride that seems so becoming of ambitious young boys. All these traits are developed from Soccer, I am sure of it. This can be seen in children all over our city but not all kids have such noble reasons for being uppity. Let this be a lesson for us. If the kids must walk proud, the pride ought to come from personal achievements and not the car their father drives. If the kids must talk heavy, it ought to be because they know what they are saying and not because their cantankerous mothers are standing behind them.



Let’s empower our kids. Give them voices with a cause, a purpose, a passion. So whether you have a son or a daughter, sports have to be a part of their lives. Just the way reading is promoted, I wish sports were too. The learning is so unique, no instrument or art can replace team sports. I encourage you to pick schools that promote a sports culture, I urge you to emphasize the need for ESPN over MTV, I beg you to move on from frivolous, urban trends and go back to the good old days of PT. We are all in the era of fast foods, fast friends and fast lives, slow your kids down, hand them a bat, a ball, a racket or just lead them to a swimming pool and let the natural sports person in your child break free!

Thursday, June 21, 2007

The Taj - A Symbol of Devotion

View Stock Photo Gallery by PhotosIndia.com

The Taj Mahal is a mausoleum located in Agra, India. The Mughal Emperor Shah Jahan commissioned it as a mausoleum for his favorite Persian wife, Mumtaz Mahal. Construction began in 1632 and was completed in approximately 1648.

Some dispute surrounds the question of who designed the Taj Mahal; it is clear a team of designers and craftsmen were responsible for the design, with Ustad Ahmad Lahauri considered the most likely candidate as the principal designer.

The Taj Mahal (sometimes called "the Taj") is generally considered the finest example of Mughal architecture, a style that combines elements of Persian, Turkish, Indian, and Islamic architectural styles. While the white domed marble mausoleum is the most familiar part of the monument, the Taj Mahal is actually an integrated complex of structures. It was listed as a UNESCO World Heritage Site in 1983 when it was described as a "universally admired masterpiece of the world's heritage.



In 1631 Shah Jahan, emperor during the Mughal's period of greatest prosperity, was grief-stricken when his second wife, Mumtaz Mahal, died during the birth of their daughter Gauhara Begum, their fourteenth child. Contemporary court chronicles concerning Shah Jahan's grief form the basis of the love story traditionally held as the inspiration for the Taj Mahal.

Construction of the Taj Mahal was begun soon after Mumtaz's death. The principal mausoleum was completed in 1648, and the surrounding buildings and garden were finished five years later.

The complex is set in and around a large charbagh (a formal Mughal garden divided into four parts). Measuring 300 meters × 300 meters, the garden uses raised pathways which divide each quarter of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and the gateway, and a linear reflecting pool on the North-South axis reflect the Taj Mahal. Elsewhere the garden is laid out with avenues of trees and fountains

The Charbagh garden was introduced to India by the first Mughal emperor Babur, a design inspired by Persian gardens. The charbagh is meant to reflect the gardens of Paradise (from the Persian paridaeza — a walled garden). In mystic Islamic texts of the Mughal period, paradise is described as an ideal garden, filled with abundance. Water plays a key role in these descriptions: In Paradise, these text say, four rivers source at a central spring or mountain, and separate the garden into north, west, south and east.

Most Mughal charbaghs are rectangular in form, with a tomb or pavilion in the center of the garden. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end rather than at the center of the garden. But the existence of the newly discovered Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna provides a different interpretation — that the Yamuna itself was incorporated into the garden's design, and was meant to be seen as one of the rivers of Paradise.

The layout of the garden, and its architectural features such as its fountains, brick and marble walkways, and geometric brick-lined flowerbeds are similar to Shalimar's, and suggest that the garden may have been designed by the same engineer, Ali Mardan.

Early accounts of the garden describe its profusion of vegetation, including roses, daffodils, and fruit trees in abundance. As the Mughal Empire declined, the tending of the garden declined as well. When the British took over management of the Taj Mahal, they changed the landscaping to resemble the formal lawns of London.

Myths about the Taj Mahal are now so old or compelling that they are often repeated as facts. A longstanding myth holds that Shah Jahan planned a duplicate mausoleum to be built in black marble across the Jumna river. The 'black taj' idea originates in the fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. The story suggests that Shah Jahan was overthrown by his son Aurangzeb before the black version could be built. Ruins of blackened marble across the river, in the so-called Moonlight Garden (Mahtab Bagh) seemed to support this legend. However, excavations carried out in the 1990s found only white marble features discoloured completely to black. The garden buildings had collapsed due to repeated flooding. Others speculate that the 'black taj' may refer to the reflection of the Taj in the large pool of the moonlight garden.

Numerous stories describe — often in horrific detail — the deaths, dismemberments and mutilations which Shah Jahan inflicted on various architects and craftsmen associated with the tomb. No evidence for these claims exist.



Sometimes misinformation about the Taj has been used for political or self-serving advantage. Lord William Bentinck, governor of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. There is no contemporary evidence for this story, which may have emerged in the late nineteenth century when Bentinck was being criticised for his penny-pinching Utilitarianism, and when Lord Curzon was emphasising earlier neglect of the monument. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.