Ancient India Rocks!

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Excuse that pun, I was referring to some images we produced a couple of months back of Ajanta & Ellora. I had vague memories of visiting these cave shrines as a kid and it saddened me that I didn’t remember their magnificence. I was viewing the images in high resolution and the detail left me flabbergasted.

Ajanta & Ellora are the definition of the term ‘cave shrines’. Located near the city of Aurangabad in Maharashtra, India, these caves have been hand carved and built as far back as 200 B.C. These caves comprise of two sets, Ajanta caves and Ellora caves. Both are equally significant due to their history, architecture and message. The caves were discovered as early as the 19th century during a hunting expedition. All these centuries they lay hidden under the rocky landscape of the Sahyadri hills. They are called ‘cave shrines’ because they are essentially temples. Hand carved temples in man made caves, the sheer task seems enormous and near impossible for the era of their supposed construction. The granite these hills constitute of are still considered a construction nightmare but the faith involved in the Ajanta & Ellora caves seems to be the driving force behind this Herculean task. The rock is considered ‘living rock’ because the formations are a still in a process of development. The structures are prayers halls and monasteries where monks could meditate and pray in complete seclusion. These structures are also a symbol of religious tolerance and harmony. Here Buddhism, Jainism and Hinduism co-exist and share their teachings. All three religions were founded in India and this is the only place in the world where their history conjoins. The Jain and Buddhist caves are places of peace and quiet while the Hindu caves exude more energy and divinity. The three construction styles found here are Stupas, Chaityas and Viharas. ‘Stupas’ are generally built of stones or bricks to commemorate important events or mark important places associated with Buddhism or to house important relics of Buddha. ‘Chaitya’s’ are meditation or prayer halls built out of rock and brick and ‘Vihara’s’ are monasteries usually made in excavated rocks to provide a haven away from the rest of the world.



The Ajanta caves are a set of 29 caves, hand carved tediously by Buddhist monks. Presumably the only tools available to these hermetic people had to have been hammers and chisels. The figurines depict the tales of ‘Jataka’, ancient text of Buddhists which tell stories about the various incarnations of the Buddha. The craft is definitely impressive but the physical effort involved enhances the beauty of the carvings. It is no wonder that the Ajanta is chosen as a ‘World Heritage Site'.

The Ellora caves are 34 in number. They are more ornately carved and the structures are more adorned. There are magnificent facades and examples of Indian temple architecture. These caves are carved in the basaltic sides of the hills. The most amazing feat in these caves is the ancient ‘Kailasa temple’, devoted to Mount Kailash which is the seat of Lord Shiva. This temple is carved out of solid rock and is a free standing structure comprising of pillars, podiums and spires, all intricately carved by hand. A website about World Mysteries has listed this temple under ‘mystic places’ because “it is the largest monolithic structure in the world, carved top-down from a single rock. It contains the largest cantilevered rock ceiling in the world.”



The best time to visit Ajanta & Ellora caves is from October to March, although the monsoon months of July-August are also highly recommended for the heightened scenic beauty of the area. Indian tourism offer a lot of excursion trips and tourists can engage tour guides locally at Ajanta and Ellora as well as from Mumbai, the closest metro to the caves.

The Taj - A Symbol of Devotion

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The Taj Mahal is a mausoleum located in Agra, India. The Mughal Emperor Shah Jahan commissioned it as a mausoleum for his favorite Persian wife, Mumtaz Mahal. Construction began in 1632 and was completed in approximately 1648.

Some dispute surrounds the question of who designed the Taj Mahal; it is clear a team of designers and craftsmen were responsible for the design, with Ustad Ahmad Lahauri considered the most likely candidate as the principal designer.

The Taj Mahal (sometimes called "the Taj") is generally considered the finest example of Mughal architecture, a style that combines elements of Persian, Turkish, Indian, and Islamic architectural styles. While the white domed marble mausoleum is the most familiar part of the monument, the Taj Mahal is actually an integrated complex of structures. It was listed as a UNESCO World Heritage Site in 1983 when it was described as a "universally admired masterpiece of the world's heritage.



In 1631 Shah Jahan, emperor during the Mughal's period of greatest prosperity, was grief-stricken when his second wife, Mumtaz Mahal, died during the birth of their daughter Gauhara Begum, their fourteenth child. Contemporary court chronicles concerning Shah Jahan's grief form the basis of the love story traditionally held as the inspiration for the Taj Mahal.

Construction of the Taj Mahal was begun soon after Mumtaz's death. The principal mausoleum was completed in 1648, and the surrounding buildings and garden were finished five years later.

The complex is set in and around a large charbagh (a formal Mughal garden divided into four parts). Measuring 300 meters × 300 meters, the garden uses raised pathways which divide each quarter of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and the gateway, and a linear reflecting pool on the North-South axis reflect the Taj Mahal. Elsewhere the garden is laid out with avenues of trees and fountains

The Charbagh garden was introduced to India by the first Mughal emperor Babur, a design inspired by Persian gardens. The charbagh is meant to reflect the gardens of Paradise (from the Persian paridaeza — a walled garden). In mystic Islamic texts of the Mughal period, paradise is described as an ideal garden, filled with abundance. Water plays a key role in these descriptions: In Paradise, these text say, four rivers source at a central spring or mountain, and separate the garden into north, west, south and east.

Most Mughal charbaghs are rectangular in form, with a tomb or pavilion in the center of the garden. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end rather than at the center of the garden. But the existence of the newly discovered Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna provides a different interpretation — that the Yamuna itself was incorporated into the garden's design, and was meant to be seen as one of the rivers of Paradise.

The layout of the garden, and its architectural features such as its fountains, brick and marble walkways, and geometric brick-lined flowerbeds are similar to Shalimar's, and suggest that the garden may have been designed by the same engineer, Ali Mardan.

Early accounts of the garden describe its profusion of vegetation, including roses, daffodils, and fruit trees in abundance. As the Mughal Empire declined, the tending of the garden declined as well. When the British took over management of the Taj Mahal, they changed the landscaping to resemble the formal lawns of London.

Myths about the Taj Mahal are now so old or compelling that they are often repeated as facts. A longstanding myth holds that Shah Jahan planned a duplicate mausoleum to be built in black marble across the Jumna river. The 'black taj' idea originates in the fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. The story suggests that Shah Jahan was overthrown by his son Aurangzeb before the black version could be built. Ruins of blackened marble across the river, in the so-called Moonlight Garden (Mahtab Bagh) seemed to support this legend. However, excavations carried out in the 1990s found only white marble features discoloured completely to black. The garden buildings had collapsed due to repeated flooding. Others speculate that the 'black taj' may refer to the reflection of the Taj in the large pool of the moonlight garden.

Numerous stories describe — often in horrific detail — the deaths, dismemberments and mutilations which Shah Jahan inflicted on various architects and craftsmen associated with the tomb. No evidence for these claims exist.



Sometimes misinformation about the Taj has been used for political or self-serving advantage. Lord William Bentinck, governor of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. There is no contemporary evidence for this story, which may have emerged in the late nineteenth century when Bentinck was being criticised for his penny-pinching Utilitarianism, and when Lord Curzon was emphasising earlier neglect of the monument. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.